Went into the movie with no expectations and after hearing lots of mixed reviews, I have to say this is my favorite of Peele's films. That being said - I mean no disrespect by this - Peele has yet to completely blow me away to a point I find him a little overrated. I liked Get Out, very much disliked Us, but thoroughly enjoyed Nope. It is (IMO) his darkest film and the abduction sequence was one of the coolest moments in horror mainstream media I've seen in a long time; probably the most uncomfortable I have felt since Hereditary. My friend did have an opinion I must reiterate though - the film has a great 1-2 punch, but never went for the knockout. There is definitely something missing about this movie that doesn't let me separate it on a class above others.
Strangely enough, I find a lot of this movie's thematic elements to have a lot of parallels to Scream 4 and it really makes me curious how Peele considers Carpenter as his favorite horror director when time and time again I see heavy influences from Craven across all his major motion pictures. That said, I felt those thematic elements hit harder here.
My main dislikes though come from Peele's emphasis on ensuring that the audience look for a deeper meaning behind the movie, which while yes, is the root of horror, also does not need to be necessary in order to make his movies thought provoking or all the more effective. Drawing back to Scream 4, I believe Craven hits it hard there - examining whether revisiting our past traumas are worth the fear if we're doomed to repeat the mistakes that lead up to them, such as a town so fixated on celebrating a terrible culture that is the only reason for Woodsboro being famous - whereas Peele is not subtle about this message and does not know where to take the story after emphasizing this message.
Keke Palmer is a standout as was Kaluuya, who while a bit more monotone, has more emotion in his body language's ability to act and restrain his character which contrasts Palmer's happy-go-lucky attitude.
A very interesting movie with very interesting choices, albeit leaving more to be desired out of not just the movie's supernatural antagonist, but perhaps a proper climax that does not feel so sudden or devoid of weight when compared to the larger scope of the film's central macguffin.