On the contrary regarding title shots, Cole; they are probably the first truly immersive sequence in a film. They end the opening credits, and give the film its feel (font choice, display of graphics, motion design, etc. all play a part in establishing the film from the beginning). This is a similar concept, and it's in no way tacky, like you're suggesting. It's foreboding having to walk underneath a looming skull with KONG right next to it. The temple shot can be seen from various angles, the only time you have to see the entrance arch is when you want to enter the queue space. I just think you're being a bit nit-picky, and this is coming from a lil meticulous like me lol.
I do have a slight problem with the almost monotonous color scheme of the rockwork, but I have reason to believe that some really nice mosses are going to add some green and rusty red to certain areas, not to mention the foliage and rest of the rockwork. It's clear UC wanted to make the temple and rockwork darker to intimidate visually, but they've got people with eyes for color. It's definitely not done yet.
Question: How close will guests be to the RVs when they bend around outside heading towards the temple? And at what elevation?